So yesterday I was over at Dr. Tim T’s office in the music building, helping the good doctor sort through some video issues. Midway through our session it started to rain, and Dr. T and I both agreed that it was nice to be back in the pattern of afternoon showers here in the summer. Last summer these never materialized and the southeastern states have been in a drought ever since, or so it seems to me.
But soon the rain was really coming down hard and heavy, with thunder and lightning. Then a guy from the film crew shooting upstairs popped in the office and said water was gushing into the recital hall. We ran upstairs and saw indeed that rainwater was pouring down in two places. The way the place is configured it was hard to see exactly how the water was getting in, but we surmised there was roof damage. I called Physical Plant to report the issue.
The rain continued. I made my way back to my own office by dodging from building to building but I still got pretty wet. A couple hours later it was still raining when I rode my bike home. I got wet again, but of course it stopped raining as soon as I got home.
That night, Xy and I watched the third disk in the second season of Treme. We were done at midnight. I stepped outside in my robe and noted some activity at Banks Street Bar, and then I remembered: Creepy Fest! It was kicking off at Banks Street Bar, and I was missing it. I ran back inside, pulled on some shorts and an undershirt, and made my way to the bar just in time to see Nick Name & The Valmonts take the stage with a blistering cover of “C’mon Everybody.” I was drawn right up to the stage and was soon surrounded by a small crowd. Here’s a video of them doing a Sonics cover at another local bar last month.
They played that last night too, and a bunch of others like “Louie Louie” and “Surfin Bird” and “Maybeline” and “Let’s Get Fucked Up,” all in the same intense and incredibly loud amped-up punk rock style. The singer (Nick Name) was wearing a shirt that said “Rock ‘n Fucking Roll” which would seem to sum up their philosophy pretty well. The audience broke into slam dancing at one point, and I hauled my 44-year-old bones out of harm’s way right quick. There was a time when I would have been an avid participant in such shenanigans but I guess those days are gone. Besides which I was still wearing my damn Birks which I use as house slippers. Not exactly prime gear for the mosh pit.
But I loved the show these guys put on, and I was digging the crowd. I saw a young African-American man wearing an Eyehategod cap. I saw passionate and playful public displays of affection amongst beautiful people of the same sex. I saw a mohawk spiked up a good twelve inches. There was a full moon shining outside. I felt that my life was complete.
And I had a brief moment of revelation. I felt there was some deep connection between the scene unfolding around me and the thunderstorm earlier in the day. It was so clear and so interesting I resolved to write it all down.
Now, of course, I can’t remember what I was thinking.
Then The Unnaturals started to play. I guess they wiped my mind clean. From what I can tell they’ve been around for years but I’d never seen them before.
Amazing. Mostly instrumental, surfy, amazingly huge sound for a three-piece. I especially liked a grungy bluesy number wherein the barefoot bass player put down her instrument and sang. I liked her bass playing too, but appreciated the change-up. And the sounds coming out of that silver guitar refreshed my soul.
They got done about 2:00 AM.
My ears are still ringing. My soul was not feeling so fresh this morning, but that’s another story.
Later: Now that I’ve had some time to mull it over, I’m prepared to take a guess at the parallel between the rain and the rock, which I glimpsed briefly and then forgot. Perhaps it was this. I felt a comfort at returning to an old familiar pattern. The summer afternoon rainstorm, the late night punk rock show, both are old familiar patterns which I have missed. The rain reminded me of summers past here in New Orleans. The show took me back further in time, and to another place, to Second Story or Uncle Sparky’s basement in Bloomington. I remember one night counting no fewer than sixty people in the crowd whom I knew on a first-name basis. At Banks Street Thursday night, I knew no one — not a soul. Yet the vibe was much the same.