I am pretty excited about HBO’s new series, Tremé. I still haven’t actually seen it yet, but I feel like I have, almost.
It premiered Friday night, and I had a couple invites to see it in some venues that would have been fun. (Like the Charbonnet Funeral Home in Tremé. That would have been a trip.) But the time-slot was late, and there’s no way I was going to keep my girl up past her bedtime. So that meant either Xy or I could see it while the other person stayed home and played the responsible adult.
I got stuck being the responsible one.
Since we don’t subscribe to cable television, I couldn’t watch the show, but I did “tune in” to Twitter where I watched a veritable deluge of commentary pouring forth — thousands of tweets, far too many to read in real time. I’d say comments were 90% positive, but it is hardly a scientific sample.
In the other 10%, one remark in particular caught my eye, from local author and luminary Poppy Z. Brite:
As noted, I don’t quite share her perspective — but I respect it. And in fact I think it provides the perfect springboard for a workshop I’m doing next week on Goodreads.
Different media have different affordances. Despite the convergence exemplified by technologies like the World Wide Web, there are still some relevant distinctions to be made. You can’t beat television for live coverage of a sporting event, for example; I’d argue that’s the ultimate application of that medium. You just can’t watch the game on a book.
As for dramatic narrative? That’s one reason Tremé is interesting to me, as it seems to be a best-case scenario. It’s not an adaptation of a book but a dramatic narrative straight-up written for television, involving lots of very talented people who have a great track record. If it’s anywhere near as good as The Wire I’m sure I’ll love it.
However, I still think theater and cinema and books are better venues for dramatic narrative. Television can aspire to the same level of quality as the best of those, but can it do anything unique? Is there anything a TV series can do that a film or a book can’t do? I don’t think so — beyond perhaps a heightened sense of social immediacy.
And that’s where Goodreads comes in. It adds that dimension of social immediacy to the reading of books. Or you can just use it to keep track of what you’ve read and what you want to read. I think it’s fairly handy, and of course, I’m on there so feel free to add me as a friend.
I’m curious to know what others think about dramatic narrative on the small screen. Is there anything a TV series can do that a film or a book can’t do better?